Skip to main content

Review 46: The Problem that Has No Name by Betty Friedan

The Problem that Has No Name
It's odd when people hark back to the 1950s as a golden time, as though everything today were on an ever-descending spiral into depression, violence and selfie sticks. You may notice that those who are on a hark-hop tend to be white, straight, male, or any combination thereof. This is probably because to be a white, straight man in 1950s America was to have an absolutely corking time, relatively speaking. It’s a bit like watching Darth Vader bemoan the fact that, since the Death Star got blown to bits, there are too many ewoks about and the rebel alliance has no respect for you anymore. The process of losing dominance is painful for the dominant class. Don’t worry, though, straight white men! There’s still a hell of a way to go before we reach equality, so you can keep living it up right now.

Anyway, Betty Friedan’s The Problem That Has No Name is a lucid and powerful selection of essays from her larger The Feminine Mystique, the seminal feminist text that underlines the problems facing American women in the 20th century.

The titular problem is thus: women were being told they ‘had it all’, and should be the happiest they’d ever been. There was significant social and media pressure to accept and believe this. And yet depression was through the roof, and psychiatrists were treating women in their droves who simply weren’t happy, even though they had everything they were told they should need to be so.

Elegantly and methodically, Friedan goes about highlighting this situation, examining the responses to it and taking them apart to reveal the real problem – women were being systematically and socially repressed to fit a box that defined them by their gender. Women had more access to education than ever, but less opportunity to use it. They had creativity, ambitions and ideas, but as soon as they hit marriageable age, they were expected to put all of these to use in managing the home and the children, and ultimately to put themselves aside. No wonder they felt unfulfilled, when they were only allowed to express themselves in the same regimented and restricted ways as every other housewife.

It’s hard not to draw comparisons with the contemporary world. Perhaps we focus less on home management, but the wellness industry pretty much thrives on that same sense of being unfulfilled and curiously unhappy. I don’t think it’s a coincidence that all of these alternative therapies, fad diets and spa treatments are overwhelmingly aimed at women, in the same way as new home appliances, budgeting systems and decorating fashions were aimed at women back then. We’ve transferred the medium, but the root is the same: expensive treatments for an artificial problem.

I thoroughly enjoyed this foray into Friedan’s brain, and I’m definitely going to pick up The Feminine Mystique to read the full text.

--

This is my forty-sixth book review of 100 to raise money for Refuge, the domestic abuse charity. If you liked this review, or just want to help out, please donate on the link below!

JustGiving - Sponsor me now!

Comments

Popular posts from this blog

Review 34: The Long Song by Andrea Levy

I’ve read a few books dealing with black slavery as part of this challenge. It’s interesting how each one looks at it through a slightly different lens, adding slightly different perspectives to the whole picture. In The Long Song , the thing that rings as much through the book as the horror and inhumanity of slavery is the sense of humour between the slaves themselves. It felt odd to laugh out loud while reading this, but there are plenty of times I did. I guess that this in itself is important – humour is an essential and universal human trait, so if we deny the slaves’ humour in recounting their stories, maybe it’s another way of denying their humanity all over again. I tried rewriting this about five times to make me sound less like a pseudo-intellectual jerksack, but this is the best I could do, I’m afraid. Anyway, TLS is set in a Jamaican sugar plantation in the early 19th century, and spans the periods just before and after slavery was abolished in the British Empir...

Review 5: Gulp - Adventures on the Alimentary Canal by Mary Roach

When it comes to the works of Mary Roach, this ain’t my first Roach-eo - I’ve previously read and been entranced by Stiff , her foray into the world of corpses. But I still wasn’t expecting to like this book quite so much as I did. It’s one of the most enjoyable reads I’ve had for a long time. Gulp is a hotchpotch journey down the alimentary canal - the big vacuum cleaner bag that runs from our mouths to our exit wounds. Roach isn’t writing a medical textbook here though. She follows the stories of things that sound interesting, or gross, or (regularly) both, so you end up with quite a lot of stuff that’s tangentially-related rather than a tube-by-tube account of your inner passages. And that’s all for the betterment of the book. Here are a few facts and amusing asides I noted down during reading: Fabric softener works by slightly digesting the fibres of your clothes, using the same enzymes as in your guts. Painting restoration workers often spit on swabs to take layers...

Review 8: Eileen by Ottessa Moshfegh

I sincerely believed that if there were less of me, I would have fewer problems. This pretty much sums up Ottessa Moshfegh’s Eileen . The titular protagonist is a sort of anti-heroine, but without the swagger that word tends to conjure. Instead, she has been raised in a loveless home, and has never had friends. She hates her town, her family and most of all, herself. Her misanthropy springs from the world’s rejection of her, rather than the other way around. Moshfegh says that she wrote Eileen as an experiment, following a paint-by-numbers guide to commercial fiction. But the Man Booker shortlisted novel comes out as anything but conventional. It’s more a masterclass in characterisation – light on plot, but heavy on unreliable narration, building Eileen’s miserable day-to-day existence up until the character slouches fully off the page. It’s a really sad and well-observed depiction of how women can internalise hatred. Eileen is disgusted by her own body. She refuses to w...