Skip to main content

Review 19: Eleanor Oliphant Is Completely Fine by Gail Honeyman

Eleanor Oliphant Is Completely Fine
I imagine a lot of unimaginative reviews of this book say something like, Eleanor Oliphant is not Completely Fine, contrary to the title! and then they laugh at their own tiny joke for four hours. You won’t find that here, even though it is both true and apposite.

Instead you’ll see me saying: this is a really great book. Even forgetting the inspired name of the protagonist, which never stops sounding like the name of an elegant elephant, it’s really good.

Eleanor Oliphant lives alone and has forged an existence for herself of work, trips to the local Tesco Metro, and gentle, vodka-infused oblivion on the weekends. She doesn’t deal well with people.

In fact, Oliphant displays an almost total lack of empathy. At first, you suspect that she may be autistic, since she shows all the signs: difficulty relating to others, low tolerance for leaving her routines, having to learn the outward signs of emotions by rote and experience, rather than innately understanding the difference between someone who is surprised and someone who is angry. But across the book, it becomes clear that this isn’t the case – instead, she’s simply living with these symptoms as the result of a childhood trauma, which made her entirely crush down her emotional development.

The book, then, is a story about a woman unpicking her past, being helped along the way by the kindness of others. It only takes the effort of one person to look past her social inadequacies and show her continued kindness to allow her to start to do this. And that’s the heart of the book: see what a little kindness can do, even – or especially – to those who seem the most closed-off.

And yes, that all sounds terrible Hallmark and sentimental and like so much gushing vomit. But the other thing is that the book is brilliantly written. Oliphant’s pious, snobby tone contrasting with the day-to-day realities of Glasgow life is hilarious. The dramatic irony of her not fully comprehending the deeper meanings of social altercations is delicious. It manages to weave this seemingly sentimental story without coming off as sentimental at all.

Overall, it’s one of my favourite books from the 100 Book Challenge so far. I’ll leave you with a direct quote to illustrate my point:

If I’m ever unsure as to the correct course of action, I’ll think, ‘What would a ferret do?’ or, ’How would a salamander respond to this situation?’ Invariably, I find the right answer.

--

This is my nineteenth book review of 100 to raise money for Refuge, the domestic abuse charity. If you liked this review, or just want to help out, please donate on the link below!

JustGiving - Sponsor me now!

Comments

  1. On the back of your review I chose this for holiday reading. A great read; beautifully written. Thank you for the recommendation and good luck with the rest of the challenge Tom.

    ReplyDelete
    Replies
    1. Thank you so much Trudie! Really glad you enjoyed it too.

      Delete

Post a Comment

Popular posts from this blog

Review 40: Gut: The Inside Story of Our Body’s Most Underrated Organ by Giulia Enders

Earlier in the year, I read Mary Roach’s Gulp - a fascinating and hilarious journey down the alimentary canal. When picking up Giulia Enders’ Gut , I worried that I might be over-gutted. What more could I possibly have to learn, having already read one other book? Fortunately, Ender’s bestseller couldn’t be a better companion piece to Roach’s. Where Gulp is a light-hearted set of the facts that she found most interesting, Gut goes and fills in more of the hard detail. Both are immensely readable, but the former is set to entertain, and the latter to inform. They complement perfectly. Enders (and let’s not forgo the cheap mention of nominative determinism here) makes you fall in love with the gut by being in love with it herself. Her passion and joy blast out of every sentence, and like so many things discussed within the book, that’s infectious. Sometimes the writing style feels slightly young, but I think that’s to make it engaging to a wide audience, and is easily over...

Review 37: The Heart Goes Last by Margaret Atwood

Margaret Atwood has got dystopian speculative fiction down . She probably gets up in the morning and chomps on a huge bowl of Dystopios, washed down with a hot cup of speculation. In fact, she's got it so down that in The Heart Goes Last , one of her more recent offerings, the premise feels almost throwaway. It's not that it's not fully-considered, or incomplete - Atwood's world-building is as jam-hot as it ever was. It's more that it feels like she can slot it together with such ease that shocking elements don't even shock her anymore. There's real darkness in this story, but the tone across the book is much lighter than on some of her other works, and that can serve to jar a little. The premise is that society has crumbled (natch) and an authoritarian new semi-socialist system has arisen to combat the cultural rot ( mais oui ). In this, people spend half their lives voluntarily in prison (A.K.A. Positron), and the other half out of it (in Consi...

Review 7: Homegoing by Yaa Gyasi

The first thing you see when you open Yaa Gyasi’s Homegoing is six pages of quotes from reviews saying how good it is. If you’re like me (and with any luck you’re not), you’ll think: talk about putting yourself under pressure . Happily, Gyasi more than rises to the implicit challenge set by her voluminous praise. The scope of her book - following two branches of an African family tree as they become separated by time and distance – is beautifully realised, with each chapter representing another generational step down. Homegoing is, in its clearest sense, about the reverberating impact of slavery on black people, both in the lands they were ripped from and the lands they were taken to. But the core theme that ties the book together is connection between those two strands of people. The title could be considered a reference to ‘returning’ to Africa, but I think it’s more powerful when considered as more abstract – the re-binding of the strands of people who have been separa...