Skip to main content

Review 15: A Visit from the Goon Squad by Jennifer Egan

A Visit from the Goon Squad
From A Visit From The Goon Squad, Past Me expected light-hearted whimsy and comic plot twists. I based this on its title and the book cover. Present Me laughs in the stupid face of Past Me, for being such a clunk-headed dope, because it turns out that Jennifer Egan’s breakout hit novel is nothing of the sort.

The structural style is similar to that of Yaa Gyasi’s Homegoing, with each chapter covering the perspective of a different character experiencing a different event in their life. Where Gyasi sought to show the depth of history and the way cultural influences trickle down a family tree, though, Egan shows breadth – all the characters covered live within a couple of generations of each other, and so the device is more used to outline the way that different people with wildly varying motivations can converge in a few chance meetings to influence each other’s lives, circling around two key characters, Sasha and Benny. It’s less a family tree than an acquaintance hedge.

Egan’s ability to inhabit such a range of different personalities and egos is truly impressive. Every character’s world feels rich in detail, and passed through a fully-formed, three-dimensional filter of that particular character’s brain. You sense that writing this must have been exhausting; not just spinning plates, but imagining the world from each plate’s dizzying perspective as it whirls.

The danger of this, of course, is that you get fully involved in one voice, and then that ends, and you have to change gear to start adapting to a new one in the next chapter. For people who are less intellectually bungled than I am, it might have been easier, but it took me a short time to adjust to each new chapter. The effort was absolutely worth it though. Each little story is compelling and carefully crafted, like chisel-cut jewels or Mini Eggs.

As a longtime fan of the word goon, my only complaint can be the lack of it. I was hoping for goons-a-plenty, but they were thin on the ground. Goon-dearth aside, though, this was a really enjoyable first foray into the work of Jennifer Egan, who is clearly a very accomplished and deservedly-lauded writer.

--

This is my fifteenth book review of 100 to raise money for Refuge, the domestic abuse charity. If you liked this review, or just want to help out, please donate on the link below!

JustGiving - Sponsor me now!

Comments

Popular posts from this blog

Review 43: The Lottery and Other Stories by Shirley Jackson

I didn’t quite know what to expect from Shirley Jackson. I feel like she’s often put into the thriller category, but if you encountered her alongside John Grishams and P.D. Jameses, I suspect you’d consider her misplaced. Mostly, though, I only knew it from a brief mention on The Simpsons, shortly before Homer throws the book into the fireplace. I know, I know. This is what you get from Broken Britain’s education system. Imagine my delight, then, to find that The Lottery and other stories is a collection of carefully-crafted short story gems. Turns out that people enter the literary canon for a reason. Who knew? Jackson’s stories have a clear theme running through them of propriety and conformity. She tackles these from lots of different angles – judgemental mothers, anxious homeowners, murderous communities. These are all brilliantly polished, mostly viewed from the perspective she knew best – city life in 40s and 50s America. There’s a clear focus on gender here too, w...

Review 24: The Flick by Annie Baker

My first play of my 100 Book Year is the Pulitzer prize-winning The Flick from American playwright Annie Baker. Oof, that almost sounds like the opening to Wikipedia article. But instead of rewriting it, I’m just going to reference that fact and turn this intro into solid gold through the lazy medium of apparent self-awareness. ANYWAY, it centres on three people working in a run-down little cinema in Worcester, Massachusetts. It’s the first I’ve read / seen of Annie Baker, but it’s apparently very representative of her style: lots of small, apparently mundane conversations by everyday people, that are vehicles for big overall emotional shifts. This gives a lot of space for nuance, which I like, and goofball humour, which I like even more. Imagine all the crummiest jobs a minimum-wage cinema attendant might have to deal with, condensed into a few short interactions. It could be depressing, but Baker makes it hilarious. Plays are different to novels in that novels have the...

Review 40: Gut: The Inside Story of Our Body’s Most Underrated Organ by Giulia Enders

Earlier in the year, I read Mary Roach’s Gulp - a fascinating and hilarious journey down the alimentary canal. When picking up Giulia Enders’ Gut , I worried that I might be over-gutted. What more could I possibly have to learn, having already read one other book? Fortunately, Ender’s bestseller couldn’t be a better companion piece to Roach’s. Where Gulp is a light-hearted set of the facts that she found most interesting, Gut goes and fills in more of the hard detail. Both are immensely readable, but the former is set to entertain, and the latter to inform. They complement perfectly. Enders (and let’s not forgo the cheap mention of nominative determinism here) makes you fall in love with the gut by being in love with it herself. Her passion and joy blast out of every sentence, and like so many things discussed within the book, that’s infectious. Sometimes the writing style feels slightly young, but I think that’s to make it engaging to a wide audience, and is easily over...