Skip to main content

Review 14: Wishful Drinking by Carrie Fisher

Wishful Drinking
I think we all have it in us to romanticise oblivion. The alcoholic writer; the drugged-up band; the tubby-custardised Teletubbies. It’s easy to see the excess and the self-disregard as edgy, rather than embrace what it would be like to actually be like to be in (or around someone in) that situation – desperate, bleak, sad. Wishful Drinking performs an odd tightrope act across this cultural tension.

The late Carrie Fisher wrote this to be performed as a one-woman show, and the sense of that performative element permeates the book. The language is casual and discursive, and a wry, dark sarcasm rivets the words to the pages throughout. This isn’t a lecture, it’s a conversation (although admittedly a one-way one, no matter how hard I tried).

What this also means is that Fisher is able to make her reactions very human. It’s easier to see her wry reactions to very dark and troubling things as blasé, but by staying as open and direct with the reader as she does, she’s able to maintain her connection to darker depths, which lends a sadness to her jokes and makes them more than surface.

Which isn’t to say it’s all gloom and doom with glitter on. This is a genuinely fun and funny read. There’s not much reference, surprisingly, to Star Wars – it feels like the annoying, tagalong little brother that she keeps trying to shake – but there are enough lighter moments to make this an easier read than you’d expect from a book about manic-depression and addiction. There are also plenty of grim bits, unrelated to her personal mental health but deeply related to the mental health of the rest of the world, with fans eager to let her know just how often they pleasured themselves thinking about her and so on. She gives these fairly short shrift, as you’d expect of gosh-darned General Leia.

The other thing you come away with is a good understanding of just how weird and messed up the Hollywood elite is. The incestuous co-mingling, and the unrealistic lifestyle expectations, are pretty much everything you’d expect of America’s unofficial royalty. It’s a wonder any of their kids have unwebbed fingers at all.

Overall, I found this a pretty poignant read, a woman who’s doing what she can to be fully open about her demons, using humour to gain access to them. If that’s what you’re looking for, go for it. If you’re looking for a ton of wacky anecdotes about Mark Hamill and Jabba the Hutt, you’ll be more disappointed. But if that’s your game, don't worry, I hear there's a shedload of that stuff on YouTube.

--

This is my fourteenth book review of 100 to raise money for Refuge, the domestic abuse charity. If you liked this review, or just want to help out, please donate on the link below!

JustGiving - Sponsor me now!

Comments

Popular posts from this blog

Review 5: Gulp - Adventures on the Alimentary Canal by Mary Roach

When it comes to the works of Mary Roach, this ain’t my first Roach-eo - I’ve previously read and been entranced by Stiff , her foray into the world of corpses. But I still wasn’t expecting to like this book quite so much as I did. It’s one of the most enjoyable reads I’ve had for a long time. Gulp is a hotchpotch journey down the alimentary canal - the big vacuum cleaner bag that runs from our mouths to our exit wounds. Roach isn’t writing a medical textbook here though. She follows the stories of things that sound interesting, or gross, or (regularly) both, so you end up with quite a lot of stuff that’s tangentially-related rather than a tube-by-tube account of your inner passages. And that’s all for the betterment of the book. Here are a few facts and amusing asides I noted down during reading: Fabric softener works by slightly digesting the fibres of your clothes, using the same enzymes as in your guts. Painting restoration workers often spit on swabs to take layers...

Review 7: Homegoing by Yaa Gyasi

The first thing you see when you open Yaa Gyasi’s Homegoing is six pages of quotes from reviews saying how good it is. If you’re like me (and with any luck you’re not), you’ll think: talk about putting yourself under pressure . Happily, Gyasi more than rises to the implicit challenge set by her voluminous praise. The scope of her book - following two branches of an African family tree as they become separated by time and distance – is beautifully realised, with each chapter representing another generational step down. Homegoing is, in its clearest sense, about the reverberating impact of slavery on black people, both in the lands they were ripped from and the lands they were taken to. But the core theme that ties the book together is connection between those two strands of people. The title could be considered a reference to ‘returning’ to Africa, but I think it’s more powerful when considered as more abstract – the re-binding of the strands of people who have been separa...

Review 24: The Flick by Annie Baker

My first play of my 100 Book Year is the Pulitzer prize-winning The Flick from American playwright Annie Baker. Oof, that almost sounds like the opening to Wikipedia article. But instead of rewriting it, I’m just going to reference that fact and turn this intro into solid gold through the lazy medium of apparent self-awareness. ANYWAY, it centres on three people working in a run-down little cinema in Worcester, Massachusetts. It’s the first I’ve read / seen of Annie Baker, but it’s apparently very representative of her style: lots of small, apparently mundane conversations by everyday people, that are vehicles for big overall emotional shifts. This gives a lot of space for nuance, which I like, and goofball humour, which I like even more. Imagine all the crummiest jobs a minimum-wage cinema attendant might have to deal with, condensed into a few short interactions. It could be depressing, but Baker makes it hilarious. Plays are different to novels in that novels have the...