Skip to main content

Review 13: My Dirty Dumb Eyes by Lisa Hanawalt

My Dirty Dumb Eyes
After the weight of The Ministry of Utmost Happiness (both figuratively and literally – I weighed the book and it came out at approximately the same as 2 African elephants, or, if you’ve not gone metric yet, 1.5 Africanne elephants) I desperately needed something light and fun. Happily, Lisa Hanawalt’s My Dirty Dumb Eyes entered stage left to provide exactly that comic relief.

Hanawalt isn’t exactly a household name, but she’s very well-respected in the publishing industry, and you’d probably recognise her artistic style from the anthropomorphic animal circus of BoJack Horseman, for which she is the production designer. This collection takes that style and combines it with Hanawalt’s own humour – surreal, crude, hilarious.

The artwork varies in style throughout the book, but for me it’s at its best when she’s adopting the style that was also the best thing about BoJack Horseman - an odd combination of semi-realistic, highly detailed animals and cartoony blocks and colours. It’s really beautiful at times, even when she’s drawing a horse-man with baby birds hatching in his eyes and nose.

Let’s be clear, the humour is about as broad as the Norfolk Broads. She can dart from weird bizarro-dream to crude sex jokes and back again in a couple of panels. But if you sit in the centre of a Venn diagram where one circle is surrealist jokes and the other is sex jokes – and I do – then this is the right party for you. Come on in! But wipe your filthy feet on the mat first.

I mean, how can you not love a book with this thrown in without so much as an introduction?



The best parts of the book, for me, were her running commentaries on films she watched. These are mostly straight text, with accompanying images for her interpretations of what’s going on. She turns almost comic anthropologist in these, dissecting the film, the audience and her own reactions with cutting, odd wit.

I’ll leave you with this:



--

This is my thirteenth book review of 100 to raise money for Refuge, the domestic abuse charity. If you liked this review, or just want to help out, please donate on the link below!

JustGiving - Sponsor me now!

Comments

Popular posts from this blog

Review 19: Eleanor Oliphant Is Completely Fine by Gail Honeyman

I imagine a lot of unimaginative reviews of this book say something like, Eleanor Oliphant is not Completely Fine, contrary to the title! and then they laugh at their own tiny joke for four hours. You won’t find that here, even though it is both true and apposite. Instead you’ll see me saying: this is a really great book. Even forgetting the inspired name of the protagonist, which never stops sounding like the name of an elegant elephant, it’s really good. Eleanor Oliphant lives alone and has forged an existence for herself of work, trips to the local Tesco Metro, and gentle, vodka-infused oblivion on the weekends. She doesn’t deal well with people. In fact, Oliphant displays an almost total lack of empathy. At first, you suspect that she may be autistic, since she shows all the signs: difficulty relating to others, low tolerance for leaving her routines, having to learn the outward signs of emotions by rote and experience, rather than innately understanding the differe

Review 7: Homegoing by Yaa Gyasi

The first thing you see when you open Yaa Gyasi’s Homegoing is six pages of quotes from reviews saying how good it is. If you’re like me (and with any luck you’re not), you’ll think: talk about putting yourself under pressure . Happily, Gyasi more than rises to the implicit challenge set by her voluminous praise. The scope of her book - following two branches of an African family tree as they become separated by time and distance – is beautifully realised, with each chapter representing another generational step down. Homegoing is, in its clearest sense, about the reverberating impact of slavery on black people, both in the lands they were ripped from and the lands they were taken to. But the core theme that ties the book together is connection between those two strands of people. The title could be considered a reference to ‘returning’ to Africa, but I think it’s more powerful when considered as more abstract – the re-binding of the strands of people who have been separa

Review 1: Stasiland: Stories from Behind the Berlin Wall, by Anna Funder

My rating: 5 of 5 stars I am hungover and steer myself like a car through the crowds at Alexanderplatz station. How could you not love a book that begins like that? Early on in Stasiland , Anna Funder discusses the ‘puzzle women of Nuremberg’. This is a group of underfunded people (both men and women, oddly) who spend their days piecing together the scraps of documents the Stasi hurriedly shredded at the end of their regime. It feels like an apt analogy for Funder’s book itself – she carefully and brilliantly pieces together a view of what it was like to live in East Germany, and the effect it’s had on its citizens decades after the Berlin Wall was wrenched down, from snapshot interviews, research and her own experiences… despite the fact that most people she encounters would rather sweep it under the rug and pretend it never happened. I came to this book knowing that East Germany was run as a Communist surveillance state, but little else. That was no problem.