Skip to main content

Review 13: My Dirty Dumb Eyes by Lisa Hanawalt

My Dirty Dumb Eyes
After the weight of The Ministry of Utmost Happiness (both figuratively and literally – I weighed the book and it came out at approximately the same as 2 African elephants, or, if you’ve not gone metric yet, 1.5 Africanne elephants) I desperately needed something light and fun. Happily, Lisa Hanawalt’s My Dirty Dumb Eyes entered stage left to provide exactly that comic relief.

Hanawalt isn’t exactly a household name, but she’s very well-respected in the publishing industry, and you’d probably recognise her artistic style from the anthropomorphic animal circus of BoJack Horseman, for which she is the production designer. This collection takes that style and combines it with Hanawalt’s own humour – surreal, crude, hilarious.

The artwork varies in style throughout the book, but for me it’s at its best when she’s adopting the style that was also the best thing about BoJack Horseman - an odd combination of semi-realistic, highly detailed animals and cartoony blocks and colours. It’s really beautiful at times, even when she’s drawing a horse-man with baby birds hatching in his eyes and nose.

Let’s be clear, the humour is about as broad as the Norfolk Broads. She can dart from weird bizarro-dream to crude sex jokes and back again in a couple of panels. But if you sit in the centre of a Venn diagram where one circle is surrealist jokes and the other is sex jokes – and I do – then this is the right party for you. Come on in! But wipe your filthy feet on the mat first.

I mean, how can you not love a book with this thrown in without so much as an introduction?



The best parts of the book, for me, were her running commentaries on films she watched. These are mostly straight text, with accompanying images for her interpretations of what’s going on. She turns almost comic anthropologist in these, dissecting the film, the audience and her own reactions with cutting, odd wit.

I’ll leave you with this:



--

This is my thirteenth book review of 100 to raise money for Refuge, the domestic abuse charity. If you liked this review, or just want to help out, please donate on the link below!

JustGiving - Sponsor me now!

Comments

Popular posts from this blog

Review 19: Eleanor Oliphant Is Completely Fine by Gail Honeyman

I imagine a lot of unimaginative reviews of this book say something like, Eleanor Oliphant is not Completely Fine, contrary to the title! and then they laugh at their own tiny joke for four hours. You won’t find that here, even though it is both true and apposite. Instead you’ll see me saying: this is a really great book. Even forgetting the inspired name of the protagonist, which never stops sounding like the name of an elegant elephant, it’s really good. Eleanor Oliphant lives alone and has forged an existence for herself of work, trips to the local Tesco Metro, and gentle, vodka-infused oblivion on the weekends. She doesn’t deal well with people. In fact, Oliphant displays an almost total lack of empathy. At first, you suspect that she may be autistic, since she shows all the signs: difficulty relating to others, low tolerance for leaving her routines, having to learn the outward signs of emotions by rote and experience, rather than innately understanding the differe...

Review 23: Monstress, Vol. 1: Awakening by Marjorie Liu and Sana Takeda

Fantasy is a funny beast (ironically). It’s easy to dismiss it as dragons ‘n’ arrows; the land of a thousand quests, where you can’t have a word without starting it with s. But when you find someone who gets it right, it’s like finding – oh, I don’t know – a mysterious golden ring or something far-fetched like that. It has a power that sucks you in. The Hugo award-winning Monstress is a fantasy graphic novel that does it right. The world-building is superb, leaving few cracks in its foundations, and you’re aware of the wider plot in the same way as, when you’re on a train, you’re aware of the rails. That said, this isn’t for everyone. The world that Marjorie Liu and Sana Takeda have painstakingly constructed is grim and gritty. In the words of a film about milkshake: there will be blood. There’s really quite a lot of it, revealed in all sorts of interesting and violent ways. There’s also a fudge-ton of swearing. These don’t feel particularly gratuitous, for the most part –...

Review 42: The Vegetarian by Han Kang

It’s hard not to respect trees. I try my best, but they always get me in the end, the cunning green-and-brown scamps. They don’t do anyone any harm. They just stand there, absorbing nutrients from above and below, pumping out oxygen with the quiet confidence of a wizard puffing his pipe. It would be wrong to call that the central premise of Han Kang’s The Vegetarian , because it’s not. But the idea of comparing human morality against the gentle harmlessness of vegetation rings through its core. The central character, Yeong-hye, a housewife, decides to stop eating meat. While this seems like a fairly small choice and one hardly worth building a whole novel around, the novel explores the reactions of her family and her own gradual slip into extremism in a slow-but-steady deterioration. The most intriguing, and in many ways frustrating, aspect to the novel is the impenetrability of Yeong-hye herself. You’re never quite allowed inside her head, and so have to observe her change from...