Skip to main content

Review 13: My Dirty Dumb Eyes by Lisa Hanawalt

My Dirty Dumb Eyes
After the weight of The Ministry of Utmost Happiness (both figuratively and literally – I weighed the book and it came out at approximately the same as 2 African elephants, or, if you’ve not gone metric yet, 1.5 Africanne elephants) I desperately needed something light and fun. Happily, Lisa Hanawalt’s My Dirty Dumb Eyes entered stage left to provide exactly that comic relief.

Hanawalt isn’t exactly a household name, but she’s very well-respected in the publishing industry, and you’d probably recognise her artistic style from the anthropomorphic animal circus of BoJack Horseman, for which she is the production designer. This collection takes that style and combines it with Hanawalt’s own humour – surreal, crude, hilarious.

The artwork varies in style throughout the book, but for me it’s at its best when she’s adopting the style that was also the best thing about BoJack Horseman - an odd combination of semi-realistic, highly detailed animals and cartoony blocks and colours. It’s really beautiful at times, even when she’s drawing a horse-man with baby birds hatching in his eyes and nose.

Let’s be clear, the humour is about as broad as the Norfolk Broads. She can dart from weird bizarro-dream to crude sex jokes and back again in a couple of panels. But if you sit in the centre of a Venn diagram where one circle is surrealist jokes and the other is sex jokes – and I do – then this is the right party for you. Come on in! But wipe your filthy feet on the mat first.

I mean, how can you not love a book with this thrown in without so much as an introduction?



The best parts of the book, for me, were her running commentaries on films she watched. These are mostly straight text, with accompanying images for her interpretations of what’s going on. She turns almost comic anthropologist in these, dissecting the film, the audience and her own reactions with cutting, odd wit.

I’ll leave you with this:



--

This is my thirteenth book review of 100 to raise money for Refuge, the domestic abuse charity. If you liked this review, or just want to help out, please donate on the link below!

JustGiving - Sponsor me now!

Comments

Popular posts from this blog

Review 34: The Long Song by Andrea Levy

I’ve read a few books dealing with black slavery as part of this challenge. It’s interesting how each one looks at it through a slightly different lens, adding slightly different perspectives to the whole picture. In The Long Song , the thing that rings as much through the book as the horror and inhumanity of slavery is the sense of humour between the slaves themselves. It felt odd to laugh out loud while reading this, but there are plenty of times I did. I guess that this in itself is important – humour is an essential and universal human trait, so if we deny the slaves’ humour in recounting their stories, maybe it’s another way of denying their humanity all over again. I tried rewriting this about five times to make me sound less like a pseudo-intellectual jerksack, but this is the best I could do, I’m afraid. Anyway, TLS is set in a Jamaican sugar plantation in the early 19th century, and spans the periods just before and after slavery was abolished in the British Empir...

Review 7: Homegoing by Yaa Gyasi

The first thing you see when you open Yaa Gyasi’s Homegoing is six pages of quotes from reviews saying how good it is. If you’re like me (and with any luck you’re not), you’ll think: talk about putting yourself under pressure . Happily, Gyasi more than rises to the implicit challenge set by her voluminous praise. The scope of her book - following two branches of an African family tree as they become separated by time and distance – is beautifully realised, with each chapter representing another generational step down. Homegoing is, in its clearest sense, about the reverberating impact of slavery on black people, both in the lands they were ripped from and the lands they were taken to. But the core theme that ties the book together is connection between those two strands of people. The title could be considered a reference to ‘returning’ to Africa, but I think it’s more powerful when considered as more abstract – the re-binding of the strands of people who have been separa...

Review 9: The Portable Veblen by Elizabeth McKenzie

The Portable Veblen is an odd read, and possibly not in the ways you’d expect. Picking it up, I assumed it was some sort of sci-fi or magic realist novel. Was a Veblen some sort of futuristic gun? A translation device? A highly treatable but somewhat embarrassing rash? In fact, as with so much in this world, it really only serves to highlight my troglodyte-level ignorance. Apparently Veblen is a reference to Thorstein Veblen, a Norwegian socialist and sociologist living in America in the late 1800s. He essentially decried capitalism and proposed an alternative system to Marxism, and it is after this prominent thinker that TPV ’s main character, Veblen, is named. For me, the novel is really about contradictions between people and between families as they try to adjust from being purely individual to being part of a wider group. How do you decide what to compromise on and what to retain? What is an unhealthy hangover from your upbringing and what is a genuinely core part of ...