Skip to main content

Review 11: Chemistry by Weike Wang

Chemistry
I love to judge a book by its cover. It’s one of those times when you can really get your judging suit on. After all, apart from damage protection, the only purpose of the book cover is to allow you to judge its contents without making any actual effort to open it. And so you can revel in the fact that as soon as you enter a bookshop, judging season is open and it’s high noon.

Fortunately for Chemistry, the outside has been perfectly tailored to the inside. It’s bound like an old chemistry textbook – the kind that gets given out by the armload at the beginning of the lesson and returned just slightly tattier and more be-doodled at the end. It sets up your expectations wonderfully.

The unnamed narrator of the book is a scientist – by occupation, but also by mindset. And this is really a story about her trying to use the scientific models and knowledge she’s accumulated (thanks to a pushy father and a fascination with the workings of the natural world) to make sense of human behaviour. She recognises this is a fool’s errand partway through the book – the variables are too numerous – but continues, nonetheless.

There are a whole bunch of intriguing and interesting topics she covers. One is being 2nd generation American from a Chinese family. She sees other women in her same cultural situation, and they all share similar traits: an enormous sense of pressure to succeed; an overwhelming fear of shame. She herself feels this to the point of unrealism; since they had moved from China to a totally new and hostile country and made a success of it, she now feels that to be a success, she’d need to colonise the moon.

Another is the unforgiving nature of scientific academia, particularly towards women. More than once she ruminates on PhD advisors who work their students beyond all sanity, driving them to suicide, and the results-driven nature of this seems at great odds with genuine scientific enquiry. More than once, the narrator points out the frustration of creating output just for the sake of having been seen to deliver it. Somewhere I read that the average number of readers for a scientific paper is 0.6, she says.

I found the style of writing a struggle at first. She writes always in present tense, and uses no quote marks to differentiate speech. This makes it much more difficult to get into the flow of the writing, but once you’re in it, it sweeps you along quickly. It also lets her use past tense to make a point, only when the protagonist feels she’s literally put something behind her.

There’s also a river of wry humour that runs throughout the whole book. Wang has a deadpan delivery, with a knack for pinning a neat twist on the end of a thought. A couple of examples:

Pretty chemistry for a pretty girl [he said]. And I blushed. I didn’t think I was that pretty. I wasn’t as pretty as manganese.

That phrase about sticks and stones and bones. But my bones are very brittle. And I am lactose intolerant.

Overall, this is a great read – funny, sad, thoughtful. It can take a while to adjust to the style, but once you do, it’s really worth it.

--

This is my eleventh book review of 100 to raise money for Refuge, the domestic abuse charity. If you liked this review, or just want to help out, please donate on the link below!

JustGiving - Sponsor me now!

Comments

Popular posts from this blog

Review 23: Monstress, Vol. 1: Awakening by Marjorie Liu and Sana Takeda

Fantasy is a funny beast (ironically). It’s easy to dismiss it as dragons ‘n’ arrows; the land of a thousand quests, where you can’t have a word without starting it with s. But when you find someone who gets it right, it’s like finding – oh, I don’t know – a mysterious golden ring or something far-fetched like that. It has a power that sucks you in. The Hugo award-winning Monstress is a fantasy graphic novel that does it right. The world-building is superb, leaving few cracks in its foundations, and you’re aware of the wider plot in the same way as, when you’re on a train, you’re aware of the rails. That said, this isn’t for everyone. The world that Marjorie Liu and Sana Takeda have painstakingly constructed is grim and gritty. In the words of a film about milkshake: there will be blood. There’s really quite a lot of it, revealed in all sorts of interesting and violent ways. There’s also a fudge-ton of swearing. These don’t feel particularly gratuitous, for the most part –...

Review 42: The Vegetarian by Han Kang

It’s hard not to respect trees. I try my best, but they always get me in the end, the cunning green-and-brown scamps. They don’t do anyone any harm. They just stand there, absorbing nutrients from above and below, pumping out oxygen with the quiet confidence of a wizard puffing his pipe. It would be wrong to call that the central premise of Han Kang’s The Vegetarian , because it’s not. But the idea of comparing human morality against the gentle harmlessness of vegetation rings through its core. The central character, Yeong-hye, a housewife, decides to stop eating meat. While this seems like a fairly small choice and one hardly worth building a whole novel around, the novel explores the reactions of her family and her own gradual slip into extremism in a slow-but-steady deterioration. The most intriguing, and in many ways frustrating, aspect to the novel is the impenetrability of Yeong-hye herself. You’re never quite allowed inside her head, and so have to observe her change from...

Review 44: Moon Tiger by Penelope Lively

Claudia Hampton, the star of Penelope Lively’s Moon Tiger , is about as big a shit as you can imagine without actually being a psychopath or criminal. This book, then, is all the more impressive for being able to take such a dislikeable character and reveal the reasons why she is the way she is, and make you empathise and sympathise with her. Actually, before we get into that, let’s address the stripy lunar elephant in the room: Moon Tiger is a brilliant title for a book. It’s the sort of title I imagine that, when she came up with it, Lively lit a big cigar and swanned around the house for days chuckling to herself. A tiger! From the moon ! Whimsical diversions aside, this book has nothing to do with tigers or the moon, so get that out of your head right now. It’s actually about a woman evaluating the history of the world as it relates to her, and the discovery of the events in her life that developed her personality. It’s also a book that’s very concerned with the fal...