Skip to main content

Review 7: Homegoing by Yaa Gyasi

Homegoing
The first thing you see when you open Yaa Gyasi’s Homegoing is six pages of quotes from reviews saying how good it is. If you’re like me (and with any luck you’re not), you’ll think: talk about putting yourself under pressure.

Happily, Gyasi more than rises to the implicit challenge set by her voluminous praise. The scope of her book - following two branches of an African family tree as they become separated by time and distance – is beautifully realised, with each chapter representing another generational step down.

Homegoing is, in its clearest sense, about the reverberating impact of slavery on black people, both in the lands they were ripped from and the lands they were taken to. But the core theme that ties the book together is connection between those two strands of people. The title could be considered a reference to ‘returning’ to Africa, but I think it’s more powerful when considered as more abstract – the re-binding of the strands of people who have been separated by force. It's not 'homecoming', but 'homegoing', which requires a journey of everyone.

One aspect that, as a wordy, nerdy word nerd, I really appreciated, was the way that Gyasi showed the changing language of each new generation as they picked up new influences and developed their own inflections on the previous generations’ cultures. There’s a real focus in the book on the fact that African and African-American history isn’t written down or learned in school, but passed down as an oral history, and the gradually-shifting language is a carefully-observed and lovely way to reflect that.

The other thing that comes across really strongly is the way that history is cumulative. Injuries done to past generations are passed on, not physically, but through stories, parental behaviours, shared phobias. It shows the true depth of racial division, held on a shared emotional level as much as anything that’s easily demonstrable in day-to-day life. It does the same for gender, showing how no matter what victories black people on either side of the ocean have been able to win, somehow the black woman has always ended up winning less one way or another. And when (as is more common) black people lose out, the black woman loses out even more.

Overall, this is a powerful, deeply sad, anger-stoking and often uncomfortable book that really cuts to the heart of the ongoing damage done by black slavery, with an impressively wide emotional range.


--

This is my seventh book review of 100 to raise money for Refuge, the domestic abuse charity. If you liked this review, or just want to help out, please donate on the link below!

JustGiving - Sponsor me now!

Comments

Popular posts from this blog

Review 5: Gulp - Adventures on the Alimentary Canal by Mary Roach

When it comes to the works of Mary Roach, this ain’t my first Roach-eo - I’ve previously read and been entranced by Stiff , her foray into the world of corpses. But I still wasn’t expecting to like this book quite so much as I did. It’s one of the most enjoyable reads I’ve had for a long time. Gulp is a hotchpotch journey down the alimentary canal - the big vacuum cleaner bag that runs from our mouths to our exit wounds. Roach isn’t writing a medical textbook here though. She follows the stories of things that sound interesting, or gross, or (regularly) both, so you end up with quite a lot of stuff that’s tangentially-related rather than a tube-by-tube account of your inner passages. And that’s all for the betterment of the book. Here are a few facts and amusing asides I noted down during reading: Fabric softener works by slightly digesting the fibres of your clothes, using the same enzymes as in your guts. Painting restoration workers often spit on swabs to take layers...

Review 4: I Love Dick by Chris Kraus

I Love Dick is a book whose title feels like a deliberate trick to make you aware of other people looking at you when reading it on a train. I’m certain that it will have been a publishing decision to catch the eye. I look forward to seeing the same publisher’s follow-up hits, Eat All Puppies and I’m Not Racist, But… Publishing chicanery aside, ILD is, in its through-line, about a woman who develops a mostly one-sided infatuation with a man called Dick (get it? The title was a phallusy). But it’s an indirect plotline, with plenty of other ruminations about gender, art, politics and more thrown in too. “Plotline” may not be quite the correct term to use, given that the basis for the book is essentially autobiographical, and it reads like a memoir in the clothes of literature – or possibly the other way around. You’re certainly aware that these are real people being discussed, none more so than the author, Chris Kraus, who brings her whole self to bear on the page, with all the m...

Review 33: The Veiled Woman by Anaïs Nin

Okay, so it’s basically my own fault for not properly researching what I was reading. I knew of Anaïs Nin as a writer of fiction and essays, so when I picked up this slim volume of short stories, I thought little of it. But as it turns out, she also wrote erotic literature. I’ve reviewed quite a few graphic novels during this 100 Book Year, but this is my first set of graphic short stories. And by graphic , I don’t mean it has pictures. I took this to read this on the train, and as my misconception became clearer, found myself regularly glancing anxiously at the woman next to me in case she could read the content of the page I was on and now considered me a Public Transport Pervert. It’s important to consider these stories in their proper context. Nin, a complex and controversial character, wrote mostly in the 1940s within a circle of mostly-male literary elite, and sought to find her place at the lead of it. She’s widely considered ground-breaking in the West as a woman writ...