Skip to main content

Review 4: I Love Dick by Chris Kraus

I Love Dick
I Love Dick is a book whose title feels like a deliberate trick to make you aware of other people looking at you when reading it on a train. I’m certain that it will have been a publishing decision to catch the eye. I look forward to seeing the same publisher’s follow-up hits, Eat All Puppies and I’m Not Racist, But…

Publishing chicanery aside, ILD is, in its through-line, about a woman who develops a mostly one-sided infatuation with a man called Dick (get it? The title was a phallusy). But it’s an indirect plotline, with plenty of other ruminations about gender, art, politics and more thrown in too.

“Plotline” may not be quite the correct term to use, given that the basis for the book is essentially autobiographical, and it reads like a memoir in the clothes of literature – or possibly the other way around. You’re certainly aware that these are real people being discussed, none more so than the author, Chris Kraus, who brings her whole self to bear on the page, with all the messiness that genuinely makes up a person. In a literary world where characters generally are well-rounded, with clearly defined motivations, this stands out strongly and is refreshing.

Kraus’ writing is clear and self-assured, which is just as well since she often sprints into complex philosophical discussions from a standing start. And what starts out as a series of letters and short stories that she and her husband directed to Dick ends up as a form of address to herself, letting her more fully explore her feelings towards Dick, her husband, herself and the world in a safe space. What starts as infatuation ends up almost replicating a therapist’s office, which is really neat to watch.

The book is at its best in the second half, with damning analyses of women’s dismissal from art history, right up to the 90s art worlds of New York and Los Angeles. She slowly comes to the realisation that she has sidelined herself to support her husband’s career across their whole marriage, and puts it into a wider pattern that is really powerful and important.

I have to be honest and say that I didn’t overly enjoy the book, but that’s mostly a matter of personal taste. Kraus describes and endorses an artworld bubble that to me comes over as self-absorbed and pretentious, but which others may find more interesting. I also can’t say I’m completely comfortable with the manner in which she pursues Dick. But the questions this raises about the lack of respect and representation of women in that same artworld are as vital as in any other industry, and equally the societal factors that dictate a woman’s behaviour in developing romantic attachments are rarely explored in this style or depth.


---

This is my fourth book review of 100 to raise money for Refuge, the domestic abuse charity. If you liked this review, or just want to help out, please donate on the link below!

JustGiving - Sponsor me now!

Comments

Post a Comment

Popular posts from this blog

Review 19: Eleanor Oliphant Is Completely Fine by Gail Honeyman

I imagine a lot of unimaginative reviews of this book say something like, Eleanor Oliphant is not Completely Fine, contrary to the title! and then they laugh at their own tiny joke for four hours. You won’t find that here, even though it is both true and apposite. Instead you’ll see me saying: this is a really great book. Even forgetting the inspired name of the protagonist, which never stops sounding like the name of an elegant elephant, it’s really good. Eleanor Oliphant lives alone and has forged an existence for herself of work, trips to the local Tesco Metro, and gentle, vodka-infused oblivion on the weekends. She doesn’t deal well with people. In fact, Oliphant displays an almost total lack of empathy. At first, you suspect that she may be autistic, since she shows all the signs: difficulty relating to others, low tolerance for leaving her routines, having to learn the outward signs of emotions by rote and experience, rather than innately understanding the differe
2 comments
Read more

Review 7: Homegoing by Yaa Gyasi

The first thing you see when you open Yaa Gyasi’s Homegoing is six pages of quotes from reviews saying how good it is. If you’re like me (and with any luck you’re not), you’ll think: talk about putting yourself under pressure . Happily, Gyasi more than rises to the implicit challenge set by her voluminous praise. The scope of her book - following two branches of an African family tree as they become separated by time and distance – is beautifully realised, with each chapter representing another generational step down. Homegoing is, in its clearest sense, about the reverberating impact of slavery on black people, both in the lands they were ripped from and the lands they were taken to. But the core theme that ties the book together is connection between those two strands of people. The title could be considered a reference to ‘returning’ to Africa, but I think it’s more powerful when considered as more abstract – the re-binding of the strands of people who have been separa
Post a Comment
Read more

Review 1: Stasiland: Stories from Behind the Berlin Wall, by Anna Funder

My rating: 5 of 5 stars I am hungover and steer myself like a car through the crowds at Alexanderplatz station. How could you not love a book that begins like that? Early on in Stasiland , Anna Funder discusses the ‘puzzle women of Nuremberg’. This is a group of underfunded people (both men and women, oddly) who spend their days piecing together the scraps of documents the Stasi hurriedly shredded at the end of their regime. It feels like an apt analogy for Funder’s book itself – she carefully and brilliantly pieces together a view of what it was like to live in East Germany, and the effect it’s had on its citizens decades after the Berlin Wall was wrenched down, from snapshot interviews, research and her own experiences… despite the fact that most people she encounters would rather sweep it under the rug and pretend it never happened. I came to this book knowing that East Germany was run as a Communist surveillance state, but little else. That was no problem.
1 comment
Read more