Review 45: Ruined by Lynn Nottage

Reading a book can be a comforting, warming experience. A little radiator that you fire up inside your belly and brain. Lynn Nottage’s Ruined is not such an experience. Don’t settle down to it expecting a rosy, joyful time. But you can expect devastating and important questions to be asked.

Nottage’s Pulitzer-prize-winning play is set in the Democratic Republic of Congo in its most recent years, crippled by civil war. Most of the play takes place in a bar and brothel that’s situated in an area that’s increasingly becoming a key battleground between the insurgents and governmental forces.

While the background of the play is national strife, the focus is very much on the human impact – specifically noting how, whoever wins the battle, the Congolese women end up losing.

The proprietor of the brothel, a sturdy and charismatic woman called Mama, illustrates this perfectly. She takes up space and, in her property, her word goes. She’s setting herself up as indomitable, irrepressible. But undermining this throughout the entire play is a sense of constant threat, that bubbles just under the surface. She’s in charge only as long as the men choose to allow her to be in charge. In a situation where sexual abuse is a favourite weapon of war, her own awareness of the fragility of her position shines through in just a couple of key scenes, but it’s enough to set the tone for the whole piece.

Ruined doesn’t shy away from the horrors that war holds for women. It made for brutal, infuriating, heart-breaking reading – I can only imagine the impact it would have as a performed play. But there are also moments of sly humour and levity that help to temper it too, that round out the characters and add more pathos to both the highs and the lows. I’d never heard of Nottage before, but she really is an extremely accomplished playwright.

Ruined doesn’t present answers. But it does show the specific problems faced by Congolese women in a new and emotional light, and urges us as an audience to recognise that these are problems that require solutions beyond the hope expressed most by Sophie, the most recent addition to Mama’s ‘girls’ – that simply of escape.

--

This is my forty-fifth book review of 100 to raise money for Refuge, the domestic abuse charity. If you liked this review, or just want to help out, please donate on the link below!

Comments

Review 34: The Long Song by Andrea Levy

I’ve read a few books dealing with black slavery as part of this challenge. It’s interesting how each one looks at it through a slightly different lens, adding slightly different perspectives to the whole picture. In The Long Song , the thing that rings as much through the book as the horror and inhumanity of slavery is the sense of humour between the slaves themselves. It felt odd to laugh out loud while reading this, but there are plenty of times I did. I guess that this in itself is important – humour is an essential and universal human trait, so if we deny the slaves’ humour in recounting their stories, maybe it’s another way of denying their humanity all over again. I tried rewriting this about five times to make me sound less like a pseudo-intellectual jerksack, but this is the best I could do, I’m afraid. Anyway, TLS is set in a Jamaican sugar plantation in the early 19th century, and spans the periods just before and after slavery was abolished in the British Empir...

Review 7: Homegoing by Yaa Gyasi

The first thing you see when you open Yaa Gyasi’s Homegoing is six pages of quotes from reviews saying how good it is. If you’re like me (and with any luck you’re not), you’ll think: talk about putting yourself under pressure . Happily, Gyasi more than rises to the implicit challenge set by her voluminous praise. The scope of her book - following two branches of an African family tree as they become separated by time and distance – is beautifully realised, with each chapter representing another generational step down. Homegoing is, in its clearest sense, about the reverberating impact of slavery on black people, both in the lands they were ripped from and the lands they were taken to. But the core theme that ties the book together is connection between those two strands of people. The title could be considered a reference to ‘returning’ to Africa, but I think it’s more powerful when considered as more abstract – the re-binding of the strands of people who have been separa...

Review 9: The Portable Veblen by Elizabeth McKenzie

The Portable Veblen is an odd read, and possibly not in the ways you’d expect. Picking it up, I assumed it was some sort of sci-fi or magic realist novel. Was a Veblen some sort of futuristic gun? A translation device? A highly treatable but somewhat embarrassing rash? In fact, as with so much in this world, it really only serves to highlight my troglodyte-level ignorance. Apparently Veblen is a reference to Thorstein Veblen, a Norwegian socialist and sociologist living in America in the late 1800s. He essentially decried capitalism and proposed an alternative system to Marxism, and it is after this prominent thinker that TPV ’s main character, Veblen, is named. For me, the novel is really about contradictions between people and between families as they try to adjust from being purely individual to being part of a wider group. How do you decide what to compromise on and what to retain? What is an unhealthy hangover from your upbringing and what is a genuinely core part of ...

The 100 Book Year

Search This Blog