Skip to main content

Review 33: The Veiled Woman by Anaïs Nin

The Veiled Woman
Okay, so it’s basically my own fault for not properly researching what I was reading. I knew of Anaïs Nin as a writer of fiction and essays, so when I picked up this slim volume of short stories, I thought little of it. But as it turns out, she also wrote erotic literature. I’ve reviewed quite a few graphic novels during this 100 Book Year, but this is my first set of graphic short stories. And by graphic, I don’t mean it has pictures. I took this to read this on the train, and as my misconception became clearer, found myself regularly glancing anxiously at the woman next to me in case she could read the content of the page I was on and now considered me a Public Transport Pervert.

It’s important to consider these stories in their proper context. Nin, a complex and controversial character, wrote mostly in the 1940s within a circle of mostly-male literary elite, and sought to find her place at the lead of it. She’s widely considered ground-breaking in the West as a woman writing explicitly (in every sense) about female sexual desire and experience.

These stories reflect that perfectly. Of the four, only one is written from the perspective of a man, and even that is about how he can figure out how to please his paramour rather than obtain his own pleasure. The others, written from first-person female perspectives, explore transgressive desires and fantasies as well as the complex system of highs and lows that define the particular ways that women experience sexuality. Which is obviously all very highbrow stuff to deliver through the medium of loads of doin’ it.

There’s some stuff to make you uncomfortable here. Her characters’ relationship with prostitution doesn’t generally feel realistic, although one does have an experience that makes it clear that her expectations and reality weren’t particularly aligned. But given that she was writing at a time when female sexuality was just starting to become unstuck from some of the moral bindings that had constricted it, it feels important that she’s writing about these things without judgement – since judgement was pretty much all women had had around sex for a long time.

The writing is really strong and vivid, although you can tell that erotica is still in development as a genre. I’m not sure many people would include the description moaning like a pigeon in modern-day erotica. But she is able to develop characters in depth in a very short amount of time, which is impressive. There's also some genuinely beautiful writing in there.

Overall: a really interesting piece of writing from its time, that in many ways still stands up today. And if you saw me reading it on the train, it was for research, honest.

--

This is my thirty-third book review of 100 to raise money for Refuge, the domestic abuse charity. If you liked this review, or just want to help out, please donate on the link below!

JustGiving - Sponsor me now!

Comments

Popular posts from this blog

Review 40: Gut: The Inside Story of Our Body’s Most Underrated Organ by Giulia Enders

Earlier in the year, I read Mary Roach’s Gulp - a fascinating and hilarious journey down the alimentary canal. When picking up Giulia Enders’ Gut , I worried that I might be over-gutted. What more could I possibly have to learn, having already read one other book? Fortunately, Ender’s bestseller couldn’t be a better companion piece to Roach’s. Where Gulp is a light-hearted set of the facts that she found most interesting, Gut goes and fills in more of the hard detail. Both are immensely readable, but the former is set to entertain, and the latter to inform. They complement perfectly. Enders (and let’s not forgo the cheap mention of nominative determinism here) makes you fall in love with the gut by being in love with it herself. Her passion and joy blast out of every sentence, and like so many things discussed within the book, that’s infectious. Sometimes the writing style feels slightly young, but I think that’s to make it engaging to a wide audience, and is easily over...

Review 46: The Problem that Has No Name by Betty Friedan

It's odd when people hark back to the 1950s as a golden time, as though everything today were on an ever-descending spiral into depression, violence and selfie sticks. You may notice that those who are on a hark-hop tend to be white, straight, male, or any combination thereof. This is probably because to be a white, straight man in 1950s America was to have an absolutely corking time, relatively speaking. It’s a bit like watching Darth Vader bemoan the fact that, since the Death Star got blown to bits, there are too many ewoks about and the rebel alliance has no respect for you anymore. The process of losing dominance is painful for the dominant class. Don’t worry, though, straight white men! There’s still a hell of a way to go before we reach equality, so you can keep living it up right now. Anyway, Betty Friedan’s The Problem That Has No Name is a lucid and powerful selection of essays from her larger The Feminine Mystique , the seminal feminist text that underlines the probl...

Review 37: The Heart Goes Last by Margaret Atwood

Margaret Atwood has got dystopian speculative fiction down . She probably gets up in the morning and chomps on a huge bowl of Dystopios, washed down with a hot cup of speculation. In fact, she's got it so down that in The Heart Goes Last , one of her more recent offerings, the premise feels almost throwaway. It's not that it's not fully-considered, or incomplete - Atwood's world-building is as jam-hot as it ever was. It's more that it feels like she can slot it together with such ease that shocking elements don't even shock her anymore. There's real darkness in this story, but the tone across the book is much lighter than on some of her other works, and that can serve to jar a little. The premise is that society has crumbled (natch) and an authoritarian new semi-socialist system has arisen to combat the cultural rot ( mais oui ). In this, people spend half their lives voluntarily in prison (A.K.A. Positron), and the other half out of it (in Consi...